The use of the word "Moor" in William Shakespeare"s play, Othello, is significant because it establishes him as an outsider. As we observe the instances that the word "Moor" is used, we can understand how different characters related to Othello. Iago, Emilia, and Brabantio use the word in a derogatory sense. Desdemona and the Duke call Othello by his name, illustrating that they respect him and his position. The use of the word "Moor" paralleled with the use of Othello"s name indicates that Othello was never really accepted in Cyprus. Moors were from another place and, in this splay, are seen as objects rather than a people. The otherness that is associated with Othello helps build tension in the play. In short, he is different and is never completely able to fit into Desdemona"s community. .

             One of the first intimations that Othello is perceived as an outsider is the fact that he is never referred to by name until the third scene in Act One. In addition, his name is not used by one of the characters we have already met. The Duke calls Othello "valiant," but before this scene, Othello has been referred to as the "Moor" several time. For instance, Iago"s first mention of Othello is a sinister reference, indicating that he will "love the Moor" (I.i.39) through appearances only. This comment establishes the hatred that Iago feels toward Othello. This statement also introduces us to the overall attitude that the others have toward Othello. He is different and, because of this, has a difficult time fitting in with those around him. In fact, Othello never fits into this community.

             Iago"s references to Othello also create the mood that many of the characters have toward the man. Iago successfully plants suspicion and doubt in Brabantio"s mind after telling him that his daughter was "making the beast" (I.i.117) with the Moor.