"Gaudy primary colors and hair shorn in strange new ways and shawls beyond the wildest dreams of Castille. . . The air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and the enthusiastic meetings between women who never knew each other's names. . . The party has begun.".

             The beauty and splendor of Gatsby's parties masked the innate corruption within the heart of the Roaring Twenties. Jazz-Age society was a bankrupt world, devoid of morality, and plagued by a crisis of character. Jay Gatsby is a misfit in this world. He tries, ironically, to fit into the picture: he fills his garage with status, his closet with fashion, his lawns with gaiety, his mannerisms with affectation. However, he would never be one of "them". Ironically, his loss seems to Nick Caraway to be his greatest asset. Nick reflects that Gatsby's drive, lofty goals, and, most importantly, dreams set him apart from this empty society. F. Scott Fitzgerald uses Gatsby to contrast a real American dreamer against what had become of American society during the 1920's. This same world referred to by Gertrude Stein as the "Lost Generation", by T.S. Eliot as "The Wasteland" was to Fitzgerald none other than New York. By magnifying the tragic fate of dreamers, conveying that twenties America lacked the substance to fulfill dreams and exposing the blindness in Jazz-Age Americans, Fitzgerald in The Great Gatsby, foreshadows the destruction of his own generation. .

             Since America has always held its entrepreneurs in the highest regard, brandishing them with praise and mounting the most successful on the highest pedestals, it is almost automatic to predict that Fitzgerald would support this heroic vision of the American Dreamer within his novel. However, to enforce the societal corruption evident in the twenties, Fitzgerald contradicts the notion of the successful dreamer by indicating, instead, that dreamers during this era led the most ill-fated lives of all.